Well, with the rivers looking less like rivers and more like mobile sections of the North Atlantic that had accidentally taken a wrong turn at Gloucester, fishing had, in the most British understatement possible, been “curtailed somewhat,” which is to say that every stretch of water within sensible driving distance was either the colour of builder’s tea or attempting to annex the nearest towpath, and so when Friday arrived work concluding mercifully at midday like a benevolent headmaster ringing the last bell before summer I found myself faced with that most dangerous of propositions: opportunity.
The sensible angler inside me, the one who owns far too many rods for a man with only two hands and a slightly unreliable left knee, suggested a speculative wander down the canal for a zander or two, because canals at least have the decency not to rise three feet in an afternoon; but the Avon, swelling faster than my blood pressure when subjected to the six o’clock news and its parade of doom, gloom and men pointing at graphs, was doing its level best to resemble a liquid freight train, and in truth I simply wasn’t feeling it.
There are days when the piscatorial muse whispers sweet nothings about chub beneath far-bank willows, and then there are days when she shrugs, orders takeaway and tells you to put your feet up, and so it was that I, alone in the house and answerable to no one but the kettle, drew the curtains with theatrical finality, powered up the surround sound system I had installed in a fit of technological optimism back in 2008, and committed myself to cinema rather than cyprinids.
The film in question Sinners, as recommended by my twin brother, who shares both my face, my questionable judgement and well worn liver turned out to be an unexpectedly rich slice of Mississippi-set supernatural mayhem, all juke joints, gangsters and things that go bump in the Delta night, and I must confess it was rather splendid.The sort of movie that grips you by the lapels and refuses to let go, much like an irate bailiff or a particularly committed barbel; indeed I’d go so far as to say it was one of my favourites in a good long while, and as the bass rumbled through speakers that had previously known only the Shipping Forecast and the occasional overenthusiastic weather bulletin, I felt entirely vindicated in my decision to swap waders for popcorn.
Outside, of course, the meteorological farce continued unabated, low-pressure systems queuing over the UK as though waiting for discounted pasties, all because a stubborn slab of high pressure had parked itself over Scandinavia like a Volvo abandoned outside a fjord, blocking the usual eastward progress of weather fronts and ensuring that we, down here, received day after day of mizzle, drizzle and full-fat deluge, the rivers remaining emphatically knackered and in no mood to entertain a man with a landing net and misplaced optimism.
And yet, as every angler knows, the soul requires variety, and so it was that Liverpool beckoned, specifically the WAV Garden, where for a solid twelve hours twelve, dear reader, which is roughly the gestation period of a small mammal I found myself enthusiastically rearranging my limbs to the sounds of progressive house DJs, Sasha headlining with the sort of authority normally reserved for monarchs and particularly confident carp, the bass so insistent that one could have navigated to the venue blindfolded, guided solely by the rather large seismic wobble in one’s sternum.
The covered ground level did its noble best to muffle proceedings for the sake of civic harmony, but even so you could feel it half a mile away, a subterranean heartbeat pulsing through the city, and when proceedings shifted downstairs (Steve Parry one of favourites was playing) into the dark and dingy tunnel club mercifully before the neighbours could marshal their complaints, I was granted a tour of the labyrinthine interior from a well known fella and DJ (Thanks Paul), a temple to rhythm that left me grinning like a newcomer to raving who’d just been transported to a rave in the 1990's.
It is, I find, a remarkable tonic, this occasional surrender to music and motion; at 53 years of age, when society gently suggests you take up beige hobbies and begin sentences with “back in my day,” there is something gloriously defiant about dancing until the early hours, and the wellbeing boost it provides is not unlike that first savage pull on a rod tip when a fish decides your offering is irresistible proof that one is still, in fact, alive and kicking as is the tinnitus STILL !!
Fishing hovered at the back of my mind throughout, of course it did, because once afflicted we are never truly cured, but I did not miss it that weekend; the rivers would continue their impression of liquid chaos regardless of my presence, and sometimes absence sharpens the appetite better than any groundbait.
Thus it was that a midweek work-from-home day presented itself like a conspiratorial wink from the universe, and I seized the chance for a quick smash-and-grab on the Warwickshire Avon, which, though still high and carrying more debris than a teenager’s bedroom floor, had at least ceased its attempt to relocate entirely to the Midlands.
With perhaps two viable swims and less than an hour to deploy my dubious cunning and one my slightly off the beaten secret swim, I approached the task with the efficiency of a burglar on a tight schedule, rod assembled in record time, bait introduced with minimal ceremony, every sense tuned to the possibility of a chub lurking behind some crease in the slack water, smug and silver and entirely unaware that a middle-aged man with damp boots and renewed optimism had come calling.
Whether I caught or blanked is almost beside the point, for in truth the joy lay in the opportunism, the snatched hour between spreadsheets and responsibilities, the quiet rebellion of stepping down a muddy bank while colleagues elsewhere refreshed inboxes.As I stood there watching the swollen river slide past with deceptive calm, I reflected that life, like angling, is rarely about perfect conditions; it is about choosing your moments, embracing the distractions be they horror films or hedonistic dance floors and returning, when the mood and the river both allow, to the water’s edge with just enough hope to make it interesting.

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